Tuesday, 28 June 2011

The World Book Night Top 100 Books: now there is a familiar idea

Could Tolkien's trilogy sneak into the Top 100 (ha ha)



Seriously guys, I think you'll find this was my idea....
Ok, so a list is a list is a list. And this is an obvious way to do it. But isn't it a bit weird that while still compiling my own crowdsourced list with The Big Issue that WBN, World Book Night, should come crashing into cyberspace with their own Top 100 challenge?
Asking for personal top ten lists?
It seems that great minds sure do think alike.
Well are going to get ours out in August. The WBN version won't be ready until next year. So nah nah ne nah nah.
In the meantime you might want to check out their site. It is carrying an 'ever changing top 100'. This in itself acts as a great reminder of the books that are out there; books  that are in their own way all utterly unmissable.
A word of caution though. The Top 100, our one that is, is about being individual, distinctive.
So please, as you read down the WBN list as it stands now, don't let yourself get hemmed in by it. Think out of the box - and off the mainstream bookshelf. Don't just throw in the last Costa prize winner you happened to read. Remember all those books you've loved. Not the ones everyone said you had to read....

*



Speaking of which, I was chatting to a friend the other day and commiserating with him as regards Kate Mosse's multi-million selling Labyrinth.
At the time the book was published critics and other novelists hailed it as 'Dan Brown with brains'. I think that is what it was. Anyway, if you are ever tempted by it, do yourself a favour. My friend and I concurred: we've yet to meet anyone who has actually enjoyed it.
Mosse I am sure is a lovely person, a terrific advocate for good, populist novels, and I don't begrudge her the success of the book. But if ever there was an example of a novel that caught on like the proverbial wildfire without ever deserving the sales and attention it got, well then Labyrinth is that book. I remember the sensation of keeping on till the end, assuming it was all going to get incredibly clever and satisfying.
I was disappointed.
What I'm saying is this: don't believe the hype.
Read and judge books for yourself.
And send me those top tens!!! We'll be compiling the list for August, so there isn't a lot of time left.
Oh, and you may as well send them to World Book Night too. But do let them know where you read the idea first...


Friday, 24 June 2011

Pottermore, but not enough





Great to hear that JK Rowling is bringing us a wealth of new material about the Potter universe. Her Pottermore.com website is planned as a sort of encyclopaedic interactive website. Sounds interesting. Because we know that JK has long held back details about the characters that never made it to the books...


But hang on...


"Although the author made clear that she had "no plans to write another novel", the fresh Potter material – to be unveiled later this year - already stretches to 18,000 words about the novels' characters, places and objects, with more to come. From Professor McGonagall's love for a Muggle as a young woman, to how the Dursleys met (Petunia was working in an office); from new information about Slytherin, Ravenclaw and Hufflepuff houses, to details about wand wood..."


Say that again? (I'm quoting from the Guardian) You said, "stretches to18,000 words"? You mean, just 18,000 words, don't you? Considering that the later books swelled beyond 100,000 words each, the idea of her holding back another 18,000 words.... well it doesn't sound like much. Not so much a Potterverse as the cuttings that fell on the editing room floor.


Not that I'm not grateful, JK. It will be a delight. It's just, I don't think we should get too carried away by this. Pottermore may well be a huge amount of fun, and it makes sense from a business and a creative point of view for her to create an online hub for controlling and reselling her brand through ebooks and the like. But those of us who love the books and admire JK for her storytelling are going to be left disappointed.


You know, I'm not even bothered about getting a Harry sequel or prequel. That story feels done to me. But I would like to read more JK. So come on Jo... write us another series. Surprise us (again). Bet you can...

Tuesday, 21 June 2011

Chris Adrian's irreverent, literary reboot of Shakespeare's A Midsummer' Night's Dream has fairies that rock



American author Chris Adrian had thought about retelling a Shakespeare play for years.
At different times he’d toyed with Titus Andronicus, did what he liked with As You Like It, and puzzled over A Winter’s Tale (well, haven’t we all?).
But he’d scrapped each effort after getting just a few pages in.
Then he moved to San Francisco to take up a new job – he’s a paediatric oncologist, of which more in a minute – and started commuting, by foot, through the city’s stunning, iconic and rather notorious Buena Vista Park.
This was when things began to fall into place and he realised that if Shakespeare’s fairy folk Puck, Oberon and Titania from A Midsummer’s Night Dream had ever emigrated to the US, then it was surely here, in the middle of San Francisco’s licentious melting pot, that they would end up.
“The idea of this city as a container for illicit, transgressive or unusual activities is an old one,” Adrian drawls on the phone from his part time home in Boston. “There is something of a tradition of thinking of that park in that way too – and for good reason.
“Buena Vista is a place people go to do drugs and to have sex. The San Francisco landscape is physically striking all over: but the way that park looks in particular, especially at certain times of the day, made it a short stretch of the imagination to think of it as a place where something unusual or magical going on there.”
The result is The Great Night, which melds realism with magic and fantasy in a grown up way. [It's getting some great reviews, like the Guardian's at this link here...] To put it bluntly, while Shakespeare’s fairies glitter with an ethereal, unworldly quality, Adrian’s are decidedly more down and dirty.
Laughing at the description, he explains: “In early drafts of the story I was trying to stick more to what evolved with the original plot and in terms of the characters, having them look a lot more like they did in the play.
“But as I went over it more and more I felt more liberated to change them for the story I was telling. Puck in particular is pretty different.”
The sprite, indeed, which Shakespeare portrayed as a mischievous troublemaker, is transformed here into a bloodthirsty killer.
“My earliest reaction to the play was always to be a little afraid of Puck, though he is relatively benign he always seemed like such an agent of chaos,” Adrian adds. “And I was frankly terrified of Oberon as a kid – he tortured Titania.”




Although The Great Night is his third novel – there is also a collection of short stories – the book marks Adrian’s debut in the UK.
But it is surprising that it was written at all for a number of reasons, not least of which was the fact he had such a tortured experience with his second novel, The Children’s Hospital.
A massive tome, it imagines a Great Flood #2, with only a children’s hospital visible above the waves. His publisher rejected it, as did 18 others – largely because they were simply unable to make sense of it (including the bit about having sex with a horse and the zombie nurses).
Finally it was championed by Dave Eggars’ independent publishing house McSweeney’s and after some rigorous editing (the bestiality and the zombie nurses were sadly cut) it did better saleswise than Adrian’s debut novel, Gob’s Grief.
Then there is the day job. Still only 37, this is a writer who seems to live several lives at the same time, whose nine to five revolves around trying to cure children from cancer.
“If I hadn’t got into medicine early on I might have chosen a career that was less demanding and which gave me more free time,” he admits.
But Adrian is nothing if not a high achiever and he has also spent the last three years studying Divinity on the other side of the country at Harvard, “to make me a better oncologist”.
That’s two degrees to go along with the English degree he got from the University of Florida in the early 1990s (where he was taught by The Interrogative Mood author Padgett Powell). Which means that as well as having read widely, he also has a mountain of student debt to pay off.
Intriguingly, The Great Night features a character who has grown up in what we here in ‘Godless Europe’ – at one point Adrian chuckles over Republican diatribes about British atheism - would consider an extreme, Christian family.
At first glance, divinity might seem an odd choice for a liberal, gay man who writes about horse sex and who describes himself as a ‘lapsed atheist’. But religion and spirituality have long been a part of his world view and he clearly thinks very deeply about it. Indeed, his next book will be a collection of short stories based on the idea of American Puritanism.
“I grew up as the one person in the family who took being a Catholic the most seriously,” he explains. “As an adult, coincidental to spending lots of time in the medical world, I developed a sneaking feeling that strict atheism wasn’t really going to cut it anymore.”
Adrian was recently named by The New Yorker as one of America’s top authors aged under 40. You wonder what he’ll be doing by the age of 50: he’ll probably have a law degree by then and be running for president.
You can also read this interview on the Big Issue Scotland website 

McSweeney’s Internet Tendency: List: Famous Opening Lines from Novels Updated for the Modern Age.

It's raining (again). Well it is here. But even if it isn't raining, everyone needs to smile and this should just about achieve it. Well it will if you are a bookish nerd who wants to spend their time trying to figure out where these original first lines came from and what they should read.

Some are obvious. "Mother died today" is Camus' The Stranger. A few are markedly improved on the original.

The top three:

“Alice was beginning to tire of sitting by her sister on the bank. She took out her iPhone and played Angry Birds for the next three hours.”

“It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of an internet startup to call his own.”

“Call me Ishmael_65.”


Follow the link...

McSweeney’s Internet Tendency: List: Famous Opening Lines from Novels Updated for the Modern Age.

* Thanks to Mr Dubar for sending me this.

Friday, 17 June 2011

Pottermore.com: New Harry Potter project spellbinds cyberspace


Ha. Youtube is now awash with little videos like this. Breathless YAs waving wands around wondering what on earth JK Rowling is up to.
That woman: she sure can sell her brand...

New Harry Potter project spellbinds cyberspace - Gadgets & Tech, Life & Style - The Independent

So what is it going to be?
An iPad app allowing the user to kill Voldemort and snog Hermione.
No, too easy.
a gigantic Harry Potter theme park to be built inside the M25, providing ten thousand jobs and saving the British economy.
Naaah, it rains too much in Britain.
An HP sequel? The website insists it isn't a new book, but what if she has written a prose poem instead? An epic in the style of Childe Harold all about Harry's children fighting a new dark wizard?
Naaaah.
I know, it's a boy band. Inspired by The X Factor JK has put together a great new pop act...
No, definitely not.
Oh, I don't know. I give up. Perhaps it will be a new book, after all. But just not a Harry Potter book - but set in the same world. I can't help but feel that is what JK should be doing right now.
But the smart money is on the theme park. Or the iPad app...



Wednesday, 15 June 2011

Alan Gibbons, An Act of Love. Terrorism and warfare for teenagers...


I spoke to Liverpool's Alan Gibbons today. Full of energy, full of ideas, he is the author of umpteen novels for young adults, written over the last 18 plus years.
His latest is An Act of Love.
It's a cracking thriller. Breathless action. First person/third person narrative. A heart in your mouth, will they die, will they survive? kind of a read...
The book centres on two boys, grown into men. Best friends since childhood one is now a soldier who has lost his leg to an IED in Afghanistan. The other is a British Muslim with terrorist sympathies.
Gibbons is getting rave reviews for the book - and why not. He's that unusual thing, a novelist for younger people that boys will find compelling and attractive to read. He told me he considers the book literary, but that he used thriller methods. I wonder why he needed to say that: I guess he felt that he wants to be clear that while entertaining, and readable, that he had a serious intent to the book.
This irritates me. there's an assumption by some writers, even when they employ the techniques, that writing to engage and entertain their readers has to be couched somehow in a greater purpose.
They should relax. Play to the audience. This is where great art is.

Tuesday, 14 June 2011

Tom Cruise takes a shot at Lee Child's Jack Reacher | Film | guardian.co.uk

Tom Cruise takes a shot at Jack Reacher | Film | guardian.co.uk: "baddies with nothing but the clothes on his back and the wallet in his pocket. Who better to play Jack Reacher, the hero of Lee Child's series of bestsellers, than Tom Cruise: 5ft 7in, pushing 50, prone to emotional outbursts and regular flashes of gnashers."

Well, size isn't everything. How often have men said that? But Cruise as Reacher?

Initially I'd say it is a stretch. It's an odd one too. Cruise, for all his box office weight, feels like a star on the wane. Reacher is a character in full bloom. One that ought really have been turned into Hollywood gold years ago but somehow wasn't. It seems a strange fit now.

When I think of Reacher I actually think more Daniel Craig than Tom Cruise. Craig of course is playing another heartless killer called James Bond, so that's a non starter. Can Cruise carry the menace needed to bring Reacher to life? He has the potential, the question for the film makers is whether the audience will accept him in such a role.

Not that Lee Child should be too worried either way. With 15 books published and 40 million sales the fact that Cruise is playing Reacher is more of a boost to Cruise's career than it is to Child's. And who would bet on other film adaptations in the future with different actors assuming the lead role? I know I wouldn't.